Archive for Chicago

Welcome to the Crown Propeller Lounge again!

Posted in 78 rpm, documents, jazz, King Kolax, Photographs, R'n'B with tags , , , , , , , , , , , , , , , , , , , , on October 19, 2013 by crownpropeller

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(Click to enlarge) Sleeve for souvenir photographs from the Crown Propeller Lounge, unidentified date. From the Crown Propeller collection

The Crown Propeller Lounge – after which this blog is named – was one of Chicago’s most important venues for R’n’B and Jazz during the 1950s. You can read more about it on my old blog entry here. After reading that post, Mike Medina (aka WayoutWardell) contacted me and identified more of the people pictured in this gorgeous photo, donated to the Crown Propeller blog by the Schlossberg family (also check the comments section over there for more interesting information from Mike).

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(Click to enlarge) Dancer Lupita Peruyero, Joe Louis, Norman Schlossberg, Sarah Vaughan, King Kolax and Mitzi Mars at the Crown Propeller, probably 1952. Courtesy of the Schlossberg family

I had recognized trumpeter King Kolax and boxer Joe Louis with Crown Propeller owner Norman Schlossberg and Mike added the name of dancer Lupita Peruyero (far left) who was a regular at the Crown Propeller and knew that the lady on the far right is singer Mitzi Mars – of which I had presented some music in my old blog entry about the CP.

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From Chicago Defender, May 31, 1952.
Taken from Franz Hoffmann’s “Jazz Advertised”

Mike also kindly allowed me to use the photo of this bautiful  foursome at the Crown Propeller in 1945 – a time when the main audience of the CP was still white.

8434880768_7eda29c458_oEnjoying an evening at the Crown Propeller Lounge, 1945.
From the collection of Mike Medina.

If you are interested in photographs from Chicago’s South Side, you definitely should check Mike’s Flickr page. It was also Mike who alerted me, that the sign of the Crown Propeller lighting up can be seen in the opening sequence of the old “Crime Stories” TV series. I managed to find that one on youtube. I edited the CP part and let it run backwards and forwards – the way it possibly was. I guess there was something in the middle as well (a crown, maybe?) – I leave it to your imagination.

Ending up our second visit to the famed Crown Propeller Lounge is photo of a young couple at the bar, probably in the 1950s.  This was stuck in the souvenir envelope pictured at the very top of the envelope.

happy couple crown propeller_2
From the Crown Propeller collection

Who might they have listened to on that evening? Rudy Greene maybe, the “King Of The Guitar”?

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From the Crown Propeller Collection

cpadChicago Defender, February 13, 1954

Enjoy!

Chicago Tenor Sax (second installment)

Posted in 78 rpm, Chicago Tenor Sax, Eddie Johnson, Gene Wright, jazz, John Neely, Johnny (Johnnie) Pate, King Fleming, Sun Ra with tags , , , , , , , , , , , , , , , , , , on April 8, 2013 by crownpropeller

Welcome to the second installment of the loose series featuring some of the jazz and r’n’b tenor saxophonists that played in the clubs of Chicago in the 1940s and 1950s.

Although when talking about tenor saxophonists from Chicago one usually thinks of the Lester Young school of playing, relaxed, cool and way behind the beat, this town definitely had more to offer.

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Eddie Johnson featured with the Jo Pernell Combo.
Chicago Defender, August 2, 1952.
From Franz Hoffmann’s “Jazz Advertised”.

The late Eddie Johnson (1920–2010) for example cited Lester Young as his greatest influence, yet that is not too obvious if you listen to his records. You can read all about Eddie Johnson at the page dedicated to him at at the Red Saunders Research Foundation by the way. After playing in lesser known bands for a while, Johnson joined Louis Jordan’s Tympany Five in early 1947, staying until the end of the year.  In 1951 and 1952 he recorded some sides for Chess Records, before the label began to concentrate  on Blues. In 1958 Johnson recorded as a sideman in a large James Moody group, and in 1964 he replaced Paul Gonsalves in the Duke Ellington Orchestra from time to time, when Gonsaves had problems related to substance abuse. After his last session for Chess in 1952, it took almost thirty years before Johnson recorded under his name again – for Chicago based Nessa Records. (he also recorded under his own name for Delmark in 1999).

But here’s Eddie in his younger days. “Twin Rock”, played by  Johnson (ts), Claude Jones (p), Johnny Pate (b) and  Oliver Coleman (d), was recorded for Chess at the Universal Studios in Chicago on September 12 1952. Billboard had this to say: “Instrumental is carried nicely by Johnson’s sax. It’s pleasant enough and could get some juke action”. So judge for yourself:

The next track I am offering you is special for different reasons. Eugene “Gene” Wright, later bassist with Dave Brubeck’s Quartet, had a nice band called Eugene Wright and his Dukes of Swing for a while in the 1940s. Red Holloway played with the Dukes of Swing as did Yuseef Lateef (at that time still known as Bill Evans). Neither Holloway nor Lateef were on the session from which I am offering you a piece here. But the band’s arranger and pianist who is playing on “Music Goes Round And Round” is none other than Sonny Blount – later known as Sun Ra! Another interesting figure also on this session is trumpeter Hobart Dotson – who later recorded with Sun Ra and with Charlie Mingus (somebody should definitely do an english language Wikipedia entry for Dotson!)

defender_dec_18_48From Chicago Defender, December 18, 1948. Wonder who is who?

But what about the tenor saxophonist we can hear here? His name is Melvin Scott. That you may never had heard of him before may well be based on the fact that this seems to be his only recorded session. On the  Willie Jones page of the Red Saunders Research Foundation, you can find some photos featuring Scott.

“Music Goes Round And Round” was recorded in December 1948 for Aristocrat Records, the forerunner of Chess Records. Billboard wrote: “A jump version of the Riley-Farley japery. It’s old enough – and the times are musically out of joint enough – to come back. Who knows?”

Melvin Scott only has a few bars here before baritonist Van Kelly takes over, but these bars sure are hot:

Part 3 of the second installment comes from a favourite of mine, the unjustly forgotten tenor player John Neely (1930–1994):

hamP_with_neelyJohn Neely (right) with Lionel Hamton, at Kunsthaus Luzern,
March 1, 1961. From concert review in “Luzerner Neue Nachrichten”

Neely’s fluid, light hearted and relaxed phrasing is more typical of the style saxophonists from Chicago are known for. You can hear that well on Count Basie’s “One O’Clock Jump” as recorded by the band of pianist King Fleming around March 1954. You’ll hear John Neely, King Fleming, bassist Russell Williams and drummer Aubrie Jones. The singing is possibly by the band members except for the female voice who probably is Lorez Alexandria or Ethel Duncan. You can find more information about this session on the King Fleming page of the Red Saunders Research Foundation where there also some photos of John Neely:

There are very few solos known by Neely – and all are great. My friend, the late jazz researcher Otto Flückiger heard Neely when Neely was in Lionel Hampton’s orchestra during its 1961 European tour – and loved his playing right away. It took 36 years before Otto was to hear another John Neely solo again – King Fleming had told Robert Campbell that it was John Neely playing those wonderful lines on Fleming’s Blue Lake outing.

I love this record so much that I had to acquire the red wax 45rpm when it turned up for sale:

fleming_1_o_clockFrom the Crown Propeller Collection

But although it looks gorgeous, the 78rpm sounds much better, so I put that one up.

Someday – I hope soon – I will do a posting on Neely, presenting you two solos with the Hampton band which Mario Schneeberger and me recently discovered to be by Neely.And of course watch this space for further installments of the Chicago Tenor Sax series (go here to read and hear the first part)!

Enjoy!

Welcome to the Crown Propeller Lounge!

Posted in 78 rpm, Chicago Tenor Sax, documents, jazz, King Kolax, Photographs, R'n'B, Sax Mallard with tags , , , , , , , , , , , , , , , , , , , , on April 2, 2013 by crownpropeller

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Sleeve for souvenir photographs from the Crown Propeller Lounge, probably 1940s.
Courtesy of the Schlossberg Family

The Crown Propeller Lounge – after which this blog is named – was one of Chicago’s most important venues for R’n’B and Jazz during the 1950s. The town’s larger talent appeared here as well as every other  R’n’B star coming through town (and a lot of jazzers): Tiny Davis, Wynonie Harris, The Moonglows, Stomp Gordon, Jo Jo Adams, Big Maybelle, Ray Charles, The Flamingos, Andy Tibbs, Danny Overbea, Nellie Lutcher, Valaida Snow, Amos Milburn, Johnny Hodges and his Orchestra, Big Joe Turner, Sonny Stitt, Jimmy Rushing, Al Hibbler, T-Bone Walker, Dizzy Gillespie, Arthur  Prysock, Bill Doggett, The Orioles, Illinois Jacquet …  A program quite to my liking, I must say, so that’s why this blog is named Crown Propeller’s blog.

Some weeks ago I was contacted by a lady, who is married to the grandson of Mildred “Mitzi” Schlossberg and Norman Schlossberg, who used to own the Crown Propeller Lounge. The lady asked me, if I had any material she might use for making a birthday collage for Mitzi who turned 97 (!) in January. I could help her just a little, since (other then say for the equally famous Club DeLisa) photographs and memorabilia from the Crown Propeller are rather rare.

cp_outsideOne of only two known photographs showing the Crown Propeller Lounge from outside (the other one is here). Judging from the cars in the picture, this photo was taken after the closing of the Lounge in 1959 (photo taken from Sandor Demlinger’s and John Steiner’s beautiful book “Destination Chicago Jazz”). To the right of the Crown Propeller one can see the entrance to Crown Liquors, another business owned by the Schlossbergs.

I asked her to be on the lookout for memorabilia from the Crown Propeller when she was going to her husband’s grandmother’s house and she promised to do so. Then some weeks later I could not believe my eyes when I got a mail from that lady containing some gorgeous photos, which I am presenting you here, courtesy of the Schlossberg Family. I have added some music typical of the Crown Propeller’s programming to go along with it as well as some advertisements featuring the people in the photographs.

cp 2(Click to enlarge) Norman Schlossberg (2nd from left), Mitzi Schlossberg
(center) and unidentified others at the Crown Propeller, possibly
late 1940s. Courtesy of the Schlossberg family

The  – undated – photo above was contained in the beautiful souvenir cover seen at the top of this post. It is possible that this photograph was taken in the 1940s when the Crown Propeller  ran a  musical policy that was different from what the lounge later became known for.

Usually the time span for the Crown Propeller’s existence is given  as 1951–1959.  This  seems to be based on an ad from Chicago Defender of August 4, 1951 announcing the opening of the Crown Propeller (strangely enough regarding the newspaper’s date) on August 3rd with singer Ethel Duncan and violinist Leon Abbey’s trio.

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From Chicago Defender, August 4, 1951.
Taken from Franz Hoffmann’s “Jazz Advertised”

But the Crown Propeller Lounge had existed before that. The earliest mention I could find is in Billboard of November 14, 1942, where Everett Hull and Victory Boys are announced to appear at the Crown Propeller for four weeks. Billboard of December 19, 1942 mentions Don Jacks as returning to the Crown Propeller on January 12.  Other acts mentioned in Billboard as playing at the Crown Propeller are in 1942 trumpeter Johnny Gibbs with singer Dolores Janis (December ), and in 1943 The Victory Four (Everett Mull, Leon Shash, George Mitchell, George Michaels), Don Jacks (March 20: “picked up another four month holdover at the Crown Propeller”).

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From the Billboard Yearbook 1943

The Billboard Yearbook 1944 mentions Don Jacks as having had a two-and-a-half-year engagement at the Crown Propeller, so the Crown Propeller may already have existed in 1941.

There are no mentions for the Crown Propeller in Billboard’s regular issues of 1944 and 1945. The issue of December 14, 1946 mentions Little Sans and Lee Trio at the Crown Propeller, in Billboard of January 15, 1947 the same aggregation is mentioned as having extended four weeks at the CP.

I do not know if the changing of musical policy at the CP came with a changing of venues or if it always had been on 868 East 63rd. From the mentions in Billboard during the fourties I can only gather that it had always been on the South Side of Chicago. Anyway after the (re-)opening on August 3rd, 1951, the Crown Propeller was never looking back to the days of accordeon-and-fiddle bands again.

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R’n’B and Jazz – the Crown Propeller takes a new direction.
From Chicago Defender, August 11, 1951.
Taken from Franz Hoffmann’s “Jazz Advertised”

The next photo the lady married to the Schlossberg’s grandson send me is also undated. It shows The 4 Tunes (also known as The Four Tunes), a very famous vocal group in the early 1950s about which you can find a lot of information in Marv Goldberg’s article.

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(Click to enlarge) The 4 Tunes (left) and some fans at the Crown Propeller,
date unknown. Courtesy of the Schlossberg family

I can find no reference for a 4 Tunes appearance at the Crown Propeller, so the photo has to remain undated for now.

One of The 4 Tunes’ greates hits was “Marie”, recorded for Jubilee in 1953. It’s one of my favourite uptempo R’n’B vocal group pieces when I am appearing as DJ Crown Propeller at  the Klub Helsinki. Here is a nice clip from youtube user ilbmlb51 showing the original 78 rpm playing:

The next photo that the lady send me is really fantastic:

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(Click to enlarge) Dancer Lupita Peruyero, Joe Louis, Norman Schlossberg, Sarah
Vaughan, King Kolax and Mitzi Mars at the Crown Propeller, probably 1952.
Courtesy of the Schlossberg family

Second person from left is boxer Joe Louis, World Heavyweight Champion from 1937 to 1949. Behind him is CP owner Norman Schlossberg and the man front right is local trumpeter and bandleader King Kolax (1912–1991) who is known to the wider jazz world for employing John Coltrane for a while in the late 1940s. There is a lot more to know about Kolax though, and you can find it all on the King Kolax page of the Red Saunders Research Foundation. The woman in the middle is Sarah Vaughan (see comments section) and the one on the right also looks familiar to me, she might be a singer or some other celebrity.There are several possibillities regarding the question when the photo above was taken. Judging from the known ads for the Crown Propeller, Vaughan never was part of the program there. But she was in town several times each year, mostly as part of some jazz package tour . As for King Kolax and his Orchestra: He played at the Crown Propeller in January 1952:

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   From Chicago Defender, January 19, 1952.
Taken from Franz Hoffmann’s “Jazz Advertised”

And then again in March:

cd_52_03_22From Chicago Defender, March 22, 1952.
Taken from Franz Hoffmann’s “Jazz Advertised”

In May 1952 Kolax was also at the Crown Propller, when Sax Mallard (about whom more later) was also on the bill.

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From Chicago Defender, May 31, 1952.
Taken from Franz Hoffmann’s “Jazz Advertised”

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From Chicago Defender, June 14, 1952.
Taken from Franz Hoffmann’s “Jazz Advertised”

Then Kolax’ band was acting as house band from mid 1954 to January 1955. One of the CP’s main attraction at that time was still the “Aqua-Tease” of sea nymph Atlantis with whom the Croen Propeller had started in 1951. In 1954 Kolax joined Atlantis in the 500 gallon tank for a photo published in Jet magazine in September.

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Jet, September 16, 1954.

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From Chicago Defender, November 13, 1954.
Taken from Franz Hoffmann’s “Jazz Advertised”

Probably his success at the Crown Propeller lead King Kolax to record for Vee Jay in December 1954 (and later in Sepetember 1955). Parts of these sessions are said to having been arranged by Sonny Blount, later known throughout the cosmos as intergalactic band leader Sun Ra. “Vivian” from December 1954 is one of the tracks of which  some people – including me –  think they might be a Ra arrangement. The band consists of  Kolax (tp), Harold Ousley (ts), Prentice McCarey (p), “Cowboy” Martin (b),  and Leon Hooper (d,  perc).

In October 1956 King Kolax returned to the Crown Propeller for two weeks (Della Reese was followed by Louis Jordan and then by Charles Brown who brought their own bands):

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From Chicago Defender, October 20, 1956.
Taken from Franz Hoffmann’s “Jazz Advertised”

Kolax was also engaged by the Crown Propeller in February 1957, but it is not clear how long this gig lasted.

The next photo the lady send me send me shows another local Chicago legend: Saxophonist Oett “Sax” Mallard (1915–1986). This photo also could have been taken on different dates.

cp 4(Click to enlarge) Mitzi Schlossberg and Oett “Sax” Mallard
(with retouched glasses) at the Crown Propeller, exact date unknown.
Courtesy of the Schlossberg family

Sax Mallard, about whom you can find a lot more information on the Sax Mallard page of the Red Saunders Research Foundation, made his name recording blues with people like Roosevelt Sykes, Tampa Red, Big Bill Broonzy in sessions for RCA-Victor in the 1940s. For a while in 1943 Mallard substituted for Otto Hardwick in Duke Ellington’s orchestra. Starting in 1947 for Aristocrat Mallard had the chance to record some tracks under his own name.

Here is a video of a copy of Checker 750  from my collection. “Slow Caboose”, a typical tenor sax fuelled piece of jukebox fodder, was recorded in January 1951 with Sax Mallard (ts) an unidentified trumpeter, probably Jimmy Bowman piano; probably Ernest “Big” Crawford on bass and Osie Johnson drums (Johnson also does some dramatic baritone singing on another side from this session). This one is so echo-filled that you might imagine yourself being in deep in dub land.

Mallard’s band was the Crown Propeller’s house band at different times, starting with some months in 1951 and 1952.

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From Chicago Defender, September 1, 1951.
Taken from Franz Hoffmann’s “Jazz Advertised”

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From Chicago Defender, September 29, 1951.
Taken from Franz Hoffmann’s “Jazz Advertised”

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From Chicago Defender, November 24, 1951.
Taken from Franz Hoffmann’s “Jazz Advertised”

During the early fifties Sax Mallard backed quite a few singers and r’n’b vocal groups on records.

In March 1953 he went to Chicago’s Universal Recording studios where his group was backing Mitzi Mars in a session for Checker Records:

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From the Crown Propeller Collection.

One of Mitzi Mars’ tunes with Sax Mallard’s band backing her – “Roll ‘Em” –  was uploaded on youtube by youtube user Rosenda Moore:

From November 1953 to summer 1954, Mallard’s Combo was the Crown Propeller’s house band again. During this time the Crown Propeller’s main attractions were people like Jimmy Witherspoon, Billy Brooks, Scatman Crothers, Lowell Fulson, Ray Charles, Big Maybelle, Wynonie Harris, Amos Milburn and Valaida Snow.

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From Chicago Defender, November 29, 1953.
Taken from Franz Hoffmann’s “Jazz Advertised”

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From Chicago Defender, January 9, 1954.
Taken from Franz Hoffmann’s “Jazz Advertised”

.

Sax Mallard’s last appearances at the CP took place in August 1957 (two weeks) and again from December 1957 on (length of engagement unknown) At that time the Crown Propeller was already in decline. The club closed in 1959 and by early 1960 the Schlossbergs had moved to Florida.

Finally the lady married to the Schlossberg’s grandson send me another nice photo of Mildred “Mitzi” Schlossberg. Obviously this was taken in a year where January 17th was a tuesday which points to 1950 or 1956. Neither an “Amateur Night” nor a “Crazy Auction” is mentioned in the Crown Propeller ads for 1956. So I would say 1950.

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(Click to enlarge) Mitzi Schlossberg and probably not Cary Grant at the
Crown Propeller Lounge, probably 1950. Courtesy of the Schlossberg Family.

Again I have to thank  the Schlossberg Family for these beautiful photographs that allow a rare glimpse inside the Crown Propeller. The lady married to the Schlossberg’s grandson has promised to look if she can find anymore memorabilia of the Crown Propeller Lounge. If she does, I will keep you all informed.

Enjoy!

Eddie Chamblee and some unidentified people

Posted in documents, Eddie Chamblee, Lionel Hampton, unidentified photographs with tags , , , , , , , on January 6, 2013 by crownpropeller

I love to look on ebay for jazz or early r’n’b related memorabilia from time to time. A few weeks ago, being a little bored, I started to browse to see if any interesting photographs would come up. Then suddenly I recognized tenor saxophonist Eddie Chamblee (1920–1999) one one of the stamp sized pictures you see in an ebay listing. The seller was offering the photo under the heading “photo of unidentified black musicians” and I had the luck to get it for the pricely sum of $5.

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Eddie Chamblee (left) and two unidentified persons, circa mid 50s.
Photographer unknown

Comparing with other photos of Chamblee I would say it is from the mid 1950s. The other two men look very familiar to me. Does anyone know, who these two might be? Maybe they are members of Lionel Hampton’s band, Chamblee played with Hampton around 1955/1956. They look familiar, but I am not able to place them.

You might as well have some music while thinking about who these men may be. Here is Eddie Chamblee and his band playing Julian Priester’s composition “Swing A Little Taste”.

This was recorded January 20, 1958 in Chicago for Mercury and the band members are:  Fortunatus “Fip” Ricard (tp) Julian Priester (tb) Eddie Chamblee (ts,vcl) Charles Davis (bar) Jack Wilson (p) Robert Wilson (b) James Slaughter (d). And it was released on this LP:

doodlin

“Swing A Little Taste” had been recorded 18 months earlier on one of the first recording sessions of the Sun Ra Arkestra , of which Priester was a member at that time. This version was originally released on the sampler “Jazz In Transition” on the Transition label (go to Robert L. Campbell’s page about Sun Ra’s early years for more information about that session).

jit

While the label on the Transition LP gives Julian Priester as the sole composer of this tune, the Mercury LP “Doodlin” adds one “Washington” to the composer’s credit. This “Washington” is obviously the person to the right of Chamblee on the cover of  the “Doodlin” LP (no prizes for giving her full name).

I also acquired another photo from the same seller, also for $5 (it said “photo of unidentified black musicians” again). Now does anyone have an idea who this lady could be? (And no: Just the fact she is holding a trumpet does not make her Valaida Snow!) Or where and when this photograph was taken?

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Enjoy!

The Chaunteurs with King Kolax (1961)

Posted in 45 rpm, clips, Doo Wop, R'n'B with tags , , , , , , , , , , , , on October 14, 2012 by crownpropeller

Twelve years ago I went to Paris for a week. One reason for my trip was to meet with Gil Petard of reissue label Chronogical Classics and the well known jazz, r’n’b and soul researcher Kurt Mohr.  I had a CD with me that held a lot of tracks by Chicago tenor saxophonist. Tom Archia (the resulting CD, “Tom Archia 1957–1948″ was released in 2011). I was also hoping to get a glimpse of Kurt Mohr’s files on several artists from Chicago and have Robert Campbell add them to the pages of the Red Saunders Research Foundation.  At that time Mohr had basically given up research and two months before had given his archives to Soul Bag Magazine. I called up the magazine and was allowed to look through Mohr’s files for an hour on the next day.

Indeed I could gather some details we had not known before about different recording sessions. I also found an intriguing entry noting a record that the band of trumpeter King Kolax – on whom there is an entry at the Red Saunders Research Foundation – accompanied Chicago vocal group The Chaunteurs for drummer and producer Armand “Jump” Jackson’s own tiny label La Salle around 1961.

This was intriguing: How was I ever to hear that record? Now a while ago someone put one side of that record, the euphoria inducing “Wishin’ Well”, on youtube – but only for a hot moment, then it was gone again. A few weeks later a copy of this very rare 45rpm finally appeared on ebay. So I tried my luck – and won!

So here are the Chaunteurs accompanied by King Kolax and his Band doing “Wishin Well”. According to Robert Ferlingere’s Discography of Rhythm and Blues and Rock ‘n Roll Vocal Groups, (2nd ed., Vol. 1, 1992) and Bob Pruter’s Doowop: The Chicago Scene, the Chaunteurs  consisted of  Sollie McElroy (lead tenor, formerly of The Flamingos); Eugene Record (1st tenor); Robert Laster (2nd tenor); Clarence Johnson (baritone); Eddie Reed (bass). Besides King Kolax (heard only faintly here) and Jump Jackson the personnel is completely unidentified. I really wonder who the tenor saxophonist is and who is playing the organ.

Get ready:
Enjoy!

 

Jo Jo Adams with Tom Archia – and in person

Posted in 78 rpm, clips, Jo Jo Adams, R'n'B, Tom Archia with tags , , , , , on March 9, 2012 by crownpropeller

Jo Jo Adams (circa 1918–February 27, 1988) was one of the most colorful persons on the R’n’B scene of post war Chicago. A short biography by Dave Penny can be found here. Adams recorded for small labels like Hy-Tone, Aristocrat, Parrot, he also worked as MC in different clubs in Chicago.

One of my favorite sessions by Jo Jo Adams is the one he did with almost forgotten Chicago tenor saxophonist Tom Archia in July 1947 (read more about Tom and this session on the Tom Archia page of the Red Saunders Research Foundation). Here’s Jo Jo singing “Drinking Blues” on a copy of Aristocrat 801:

Adams was mostly known for his flamboyant personality, his risqué songs and his colorful dresses – with long coat tails that he swung around while dancing. Here you get a chance to see Jo Jo in action as part of William Alexander’s 1949 movie “Burlesque in Harlem (sometimes dated as having been made in 1953 or 1954, but Alexander had moved to London in 1950). Unfortunately Adams is only accompagnied by a piano – and how I wish it would be Tom Archia’s Combo! And sound and video are slightly asynchroneous on my source.

But hey: Better Jo Jo Adams with a piano and asynchronous sound than no Jo Jo Adams at all!

Enjoy!

Milt Buckner: Too hot?

Posted in documents, jazz, Milt Buckner, Photographs with tags , , , , , , on December 28, 2011 by crownpropeller

I recently acquired some photographs that allow me to tell a little story.

On Wednesday June 27, 1962 Milt Buckner brought his organ into Chicago’s Eden Roc Night Club.


(Click to enlarge) Press photo taken on July 8, 1962.
Photo: Anderson/Chicago Daily News

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