Archive for Han Bennink

Impressions of the ICP Orchestra, Zürich 2015

Posted in Free Jazz, Han Bennink, jazz, Photographs with tags , , , , , , , , , , , , , , , on October 18, 2015 by crownpropeller

DSC_4339(Click to enlarge) The ICP Orchestra at Rote Fabrik, Zurich,
Switzerland, October 17, 2015. Mary Oliver, Tristan
Honsinger, Ernst Glerum, Han Beninnk, Michael Moore,
Ab Baars, Wolter Wierbos (hidden), Tobias Delius (hidden) and
Thomas Heberer.  Photo by Armin Büttner

The ICP Orchestra, that famous european jazz institution founded in 1967 by drummer Han Bennink and pianist Misha Mengelberg, played in Zurich yesterday. Since I have a bad cold, I was not in the mood to fumble around with a video cam, but I took quite a few photos which turned out so nice, that I thought I’d present them here.

In it’s current incarnation – Misha Mengelberg is not able to appear on stage anymore – the ICP Orchestra consists of Han Bennink, trumpeter Thomas Heberer, trombonist Wolter Wierbos, Michael Moore (as, cl), Ab Baars (ts, cl), Tobias Delius (ts, cl), Mary Oliver (violin, viola), cellist Tristan Honsinger and bassist Ernst Glerum. The piano chair was manned by Misha Mengelbergs good friend Guss Janssen. They played a lot of  Mengelbergs compositions as well as his arrangements of pieces by Monk, Herbie Nichols and Duke Ellington, as well as pieces by band members. To make it short, it was a great evening and I was glad I went – I even had the feeling my cold had gotten better afterwards.

So here are some photos (you can always click to enlarge, they are quite big!):

DSC_4308Han Bennink at Rote Fabrik. Photo by Armin Büttner

DSC_4321Han Bennink, Michael Moore, Ab Baars, Tobias Delius at
Rote Fabrik. Photo by Armin Büttner

DSC_4301Mary Oliver, Tristan Honsinger, Ernst Glerum at Rote Fabrik.
Photo by Armin Büttner

DSC_4324Michael Moore and Ab Baars at Rote Fabrik.
Photo by Armin Büttner

DSC_4348Mary Oliver at Rote Fabrik. Photo by Armin Büttner

After a twenty minute intermission the second part of the evening started with about twenty minutes with a special quartet. ICP-members Bennink, Glerum and Moore were joined by Zurich based pianist Irène Schweizer (they know each other for years and years, swiss label Intakt has just released a new Cd of Schweizer/Bennink duets).

Here are some photos from that part of the evening:

DSC_4373Irène Schweizer, Ernst Glerum, Han Bennink and Michael
Moore at Rote Fabrik. Photo by Armin Büttner

DSC_4386Han Bennink and Michael
Moore at Rote Fabrik. Photo by Armin Büttner

DSC_4384Han Bennink at Rote Fabrik. Photo by Armin Büttner

DSC_4407Irène Schweizer at Rote Fabrik. Photo by Armin Büttner

Then it was back to the ICP Orchestra again:

DSC_4428Michael Moore, Ab Baars, Tobias Delius, Wolter Wierbos and
Thomas Heberer at Rote Fabrik. Photo by Armin Büttner

DSC_4430Ernst Glerum, Mary Oliver, Han Bennink and Michael Moore
at Rote Fabrik. Photo by Armin Büttner

DSC_4453“And without further ado I present to you: absolutely nothing!”:
Tristan Honsinger at Rote Fabrik. Photo by Armin Büttner

DSC_4467Going down low: Tristan Honsinger and Wolter Wierbos at
Rote Fabrik. Photo by Armin Büttner

DSC_4471And up: Tristan Honsinger in the air at Rote Fabrik.
Photo by Armin Büttner

DSC_4476Guss Janssen and Mary Oliver at Rote Fabrik.
Photo by Armin Büttner

DSC_4485Han Bennink and Ab Baars at Rote Fabrik.
Photo by Armin Büttner

DSC_4490Han Bennink, Ab Baars, Michael Moore and Tobias Delius
at Rote Fabrik. Photo by Armin Büttner

DSC_4502A quite hum for Misha Mengelberg: Han Bennink at Rote
Fabrik, Zurich, October 17, 2015.

Enjoy!

Brötzmann / Bennink / Dauner /Mangelsdorff (1986)

Posted in clips, Peter Brötzmann with tags , , , , , , on October 30, 2012 by crownpropeller

Image: The Wire 345 November 2012

The November issue of British Music Magazine Wire carries a beautiful shot of german saxophonist Peter Brützmann (now 71) on the cover. Inside you find a long and very interview with Brötzmann focussing not only on his music but also on his rough and brutish visual art. This is followed by a seven page “primer” giving beginners a thorough overview over what one could deem to be Brötzmann’s most important records. All in all a must for fans of Brötzmann.

When I started to listen to jazz in the early eighties, I started with Free Jazz. At that time I lived in the Ruhrgebiet in a town not very far from Wuppertal (which is not in the Ruhrgebiet), where Brötzmann is and was living. Every other months you could find Brötz playing in one of the towns that make up the Ruhrgebiet – at one time solo in maybe a gallery, then in some trio setting in some jazz club, then maybe in a larger venue where he was playing with Bill Laswell, Shannon Jackson and Sonny Sharrock as Last Exit.

I know that Brötzmann hates to be labeled Furor Teutonicus and the like, and yes, I love his romantic solo outings as well as his  you-know-what. But let’s be frank: What you look for when hearing Brötzmann, is catharsis and mind clearing abrasive noise. Which is exactly what you get from this little clip I just found on an old VHS cassette:

Peter Brötzmann, Han Bennink, Wolfgang Dauner, Albert Mangelsdorff (not much Mangelsdorff here) at the Theaterhaus-Jazzfestival, Stuttgart 1986.

Enjoy!