Archive for jazz

Memories of a Jazz Festival: Hollabrunn 1985

Posted in clips, Fats Domino, jazz, Miles Davis, Pharoah Sanders, Tommy Flanagan with tags , , , , , , , , , , , , , , , , on April 17, 2016 by crownpropeller

holla(Clockwise): Miles Davis, Fats Domino, Pharoah Sanders in
Hollabrunn, Austria, July 1985.

The 1985 Blue Danube Jazz Summit 1985 in Hollabrunn not far from Vienna seems to have been a one time only event. Which is a pity, since the line-up for those three days (July 5 to July 7, 1985 ) was truly stellar. I found the following list:

July 5:
Miles Davis Group / Modern Jazz Quartet /Astrud Gilberto Group / Shankar – Jan Garbarek Group / Jamalaadeen Tacuma Band /Mingus Dynasty / Charlie Mariano – Jasper van’t Hof Group / Albert Mair Group

July 6:
James Brown Revue /Woody Herman All Stars / Airto Moreira & Flora Purim Group / Astor Piazzolla Sextet / Cedar Walton Quartet / Jackie McLean Sextet / Tommy Flanagan Trio / Leon Thomas – Jimmy Witherspoon Band with Arnett Cobb / Pharoah Sanders Quartet / Lou Donaldson Quartet / Benny Wallace Trio / Steve Lacy solo / Wide Fields

July 7:
Fats Domino Rhythm & Blues Explosion / Joe Zawinul solo / Working Week / Stéphane Grappelli Trio / George Wein’s Newport All Stars(Donald Byrd, Woody Shaw, Johnny Griffin, Nathan Davis, Slide Hampton, Kenny Drew, Jimmy Woode) / Gilberto Gil Brazilian Band / Lounge Lizards / Bob Moses Group / Joanne Brackeen – Clint Houston Duo / Big Band Machine

Thankfully the austrian TV station was there to document parts of the festival. I do not know how much they filmed, but fortunately I found clips from four of the concerts on my late friend Otto Flückiger’s old VHS tapes, which I decided to present here.

Starting chronologically here is Miles Davis’ band from July 5. The lineup: Miles Davis (tp, keyb); Bob Berg (ts, ss); John Scofield (g); Robert Irving III (synth); Darryl Jones (elb); Vincent Wilburn Jr. (dr); Steve Thornton (perc).

They are playing “Pacific Express” and “Time After Time”. Note that according to the list on this page “Time After Time” was played way before “Pacific Express” (there are also a lot of great photos of the band in Hollabrunn on that page). In fact I had found the two tracks on two different VHS cassettes and made the segueing myself. After I discovered the real order of tunes, I was not in the mood to go into the editing process all over again.

The next clip comes from July 6 and presents the Tommy Flanagan Trio. Flanagan is accompagnied by bassist George Mraz and  drummer  Art Taylor. This was also on two different VHS cassettes. So after the Monk Medley there is a segueing (done by me) and then comes an unidentified ballad followed by Tadd Damerons “If You Could See Me Now”. For all I know true sequence of tracks could have been the other way around.

 

Next up – also from July 6 – is a rarety as it shows Pharoah Sanders with a group that did not appear on any official albums. Here Pharoah is accompagnied by pianist Joanne Brackeen, bassist Clinton Houston and drummer Victor Lewis. They are playing Brackeens composition “Haiti B”.

And to leave Hollabrunn we have Fats Domino with an unidentified band doing his 1960 hit “My Girl Josephine” on July 7.

Enjoy!

More Art Blakey (Marsalis content)

Posted in Art Blakey, clips, jazz, Wynton Marsalis with tags , , , , , , , , , , , , , , , , , , , , on April 15, 2016 by crownpropeller

artArt Blakey at the “Subway” in Cologne,
probably on February 1, 1985.

In the far away corners of one one of my harddisks with clips from the Otto Flückiger collection I found three more clips of Art Blakey with or without his Messengers.

The first one comes from  July 24, 1980 when Blakey played at the Jazz Festival in Antibes. The Messengers are: Art Blakey (dr, ldr), Valery Ponomarev, Wynton Marsalis (tp), Robin Eubanks (tb), Bobby Watson, Billy Pierce, Branford Marsalis (ts), Kevin Eubanks (g), James Williams (p), Charles Fambrough (b), John Ramsay (dr).

I do not know what tune they are playing, but it is not “Stairway To The Stars” as announced.

 

The next one is a drum battle between Blakey, Billy Cobham (or is it not Cobham?) and Simon Phillips (of Toto fame) -thanks to Penny L. for identifying him . This clip comes from the 1982 Montreux Jazz Festival, I do not know the exact date. Does somebody?

And finally a better quality version of the Jazz Messengers at the Subway in Cologne  probably on February 1, 1985. I had uploaded this before but the old version was a pain to watch. The band: Art Blakey (dr), Terence Blanchard (tp), Donald Harrison (as), Jean Toussaint (ts), Mulgrew Miller (p), Lonnie Plexico (b).

After the introduction by Alan Bangs they play “Oh By The Way”, “Tenderly”, “One By One”, “Jodi” and “The Theme”

Enjoy!

Even more McCoy Tyner

Posted in clips, jazz, McCoy Tyner with tags , , , , , , , , , , , on April 10, 2016 by crownpropeller

mccoy81McCoy Tyner in Montreux, July 18, 1981

I thought that with this post as well as that post, I was finished with digitizing all of the McCoy Tyner footage from Otto Flückiger’s old VHS cassettes. But  this was not so – as I discovered three more clips that I had previously overlooked.

First up is McCoy Tyner playing “Eternally Yours” solo at the Jazz Festival Montreux on July 18, 1981:

From the same day (but from a different VHS tape) here is McCoy’s Quintet playing “Walk Spirit Talk Spirit” and “It’s You Or No One”. The band consists of Tyner, John Blake (vln), Joe Ford (as), Avery Sharpe (b), and Ronnie Burrage (d).

And finally here is McCoy Tyner’s band a year earlier at the Jazzwoche Burghausen in Germany on March 14, 1980. Band members are: Joe Ford (sax), Earl Conrad (vln), Avery Sharpe (b), George Johnson (dr), Guilherme Franco (perc). They are playing Tyners “The Seeker”.

Enjoy!

 

R.I.P. Gato Barbieri

Posted in clips, Gato Barbieri, jazz with tags , , , , , , , , , on April 3, 2016 by crownpropeller

gatoGato Barbieri (1932–2016)

Just received the sad news of saxophonist Gato Barbieri’s passing. Here is the obituary from the “New York Times”.

And here is something special, Gato Barbieri playing “Brazil”  in Montreux on June 18, 1971. With Barbieri are: Lonnie Liston Smith (p), Chuck Rainey (el-b), Bernard “Pretty” Purdie (d), Sonny Morgan (cga), Nana Vasconcelos (perc,berimbau).

Despite the sad occasion: Enjoy!

Willis Nelson and Dupree Bolton – a study by Mario Schneeberger

Posted in Mario Schneeberger with tags , , , , , , on March 20, 2016 by crownpropeller

 pancho_driggs

Willis Nelson (bottom left) in Pancho Diggs Orchestra, 1940.
From Barbara J. Kukla’s book Swing City: Newark Nightlife, 1925-50″.

Swiss alto saxophonist and jazz researcher Mario Schneeberger has allowed me to publish his new study. This study is about the two early bop trumpet players Dupree Bolton (1929–1993) and Willis Nelson and their work when they were playing in Buddy Johnson’s band  in the mid 1940s. From October 1944 to November 1945 both men were part of Johnson’s Orchestra and both were featured in solos.

Mario did a lot of listening and comparing to come closer to the truth in answering the question who is playing which solo, based on the two Buddy Johnson tracks where it is  commonly accepted among specialists that one is played by Bolton ( “Walk ‘Em”) and the other by Nelson (“Pullamo”).

To give you an idea, how Nelson and Bolton sound, here is the Buddy Johnson Orchestra playing “Traffic Jam” at the Savoy Ballroom in NYC on October 9, 1945

Featured soloists are: Dave Van Dyke (ts), Jimmy Stanford (ts), Buddy Johnson (p), Willis Nelson (tp), Dupree Bolton (tp).

Mario has also checked whether any trumpet solos during Dupree Bolton’s time (mid december 1945 to early 1946) with Benny Carter’s orchestra following his tenure with Johnson  can be attributed to Bolton.

Click here to go directly to Mario’s study on Willis Nelson and Dupree Bolton or click here to see all of Mario’s research pages.

 

Art Blakey in the 1970s and 1980s

Posted in Art Blakey, Bennie Golson, clips, jazz, Uncategorized with tags , , , , , , , , , , , , , , , , , , , on January 10, 2016 by crownpropeller

Bildschirmfoto 2016-01-10 um 12.19.31Art Blakey in Montreux on July 8, 1976

[UPDATE: Changed the 62 minutes Subway clip to a better version] In the 1970s and the 1980s Art Blakey’s Jazz Messengers were regulars on the european jazz festival circuit. So it’s very strange that I never managed to see the band live. But then again at that time my mind was set on free jazz only and I must have thought of Blakey as old hat.

So I am fortunate that I found a lot of TV footage of Blakey among the VHS tapes of my late friend, the swiss jazz researcher Otto Flückiger. Some clips feature just one track, some are full length concerts.

 

Starting off with Blakey and the Messengers playing “Along Came Betty” on July 8, 1976 at the Jazz Festival Montreux. The band on this occasion: Art Blakey (dr), Bill Hardman (tp), David Schnitter (ts), Mickey Tucker (p), Christopher Amberger (b). According to this list, “Along Came Betty” was the third track of this concert.

On another cassette, I found another track from this concert: “Gipsy Folk Tales” (the seventh track of the concert). Unfortunately this suddenly stops around the nine minute mark in the midst of Mickey Tucker’s solo (what follows on the VHS tape is a Donna Summer show!)

If you came here for a glimpse of Wynton Marsalis, I have to disappoint you since the chronologically next clip I found is from the 1983 Umbria Jazz Festival. This festival took place from July 11-17, 1983. It’s not clear, on what day the Messengers played. Here the band consists of Blakey (dr), Terence Blanchard (tp), Donald Harrison (as), Jean Toussaint (ts), Mulgrew Miller (p), and Lonnie Plaxico (b).

They are playing “Oh by the Way”, composed by Terence Blanchard (thanks, Saxophone Freddie!)

The next clip can be dated exactly: July 23, 1983 at the Jazz Festival Montreux. The band is the same as in Umbria with Johnny O’Neal replacing Mulgrew Miller (thanks, Saxophone Freddie!). I made a mistake editing this: I did not realize that the TV station had broadcasted the latter part of the show live ( an unidentified tune, the introduction of the musicians by Blakey, an unidentified old time tune, “Polka Dots and Moonbeams and “Blues March”. Then after a break comes an  excerpt from the first part of the concert featuring “Little Man” and a another unidentified tune. Again: If you can identify the untitled tunes, I’d be grateful.

At some time in February 1984 the Jazz Messengers played at the Jazz Festival Aarau in Switzerland. I was not able to find out the exact date (McCoy Tyner played there on February 24). Again the band consists of Blakey (dr), Terence Blanchard (tp), Donald Harrison (as), Jean Toussaint (ts), Mulgrew Miller (p), and Lonnie Plaxico (b).  All in all there are more than 80 minutes from Aarau, but the source video gave me trouble. After the first 30 minutes or so, the video starts repeatedly to stall while the music goes on. That is why the first, second and fourth part have video to the audio, whereas for the third part I could not get video and audio synchroneous (i’d need weeks for that). So i just added some screenshots to the music.

Part 1 starts with Donald Harrison’s solo in an unidentified tune and commences with “On The Ginza”:

Part 2 again starts wirth an unidentified snippet of Donald Harrison which is soon followed by “Moanin'”.

Part 3 unfortunately has no footage, as I explained above. Blakey and the Jazz Messengers play “Oh By The Way” and “Tenderly”, a feature for Terence Blanchard:

Finally part 4 – again with footage – is another rendition of “Blues March”:

On March 23, 1984 the Jazz Messengers played at the 15. Internationale Jazzwoche in Burghausen (look here to see the poster, does anyone have footage from the Arkestra’s appearance on March 22?). Terence Blanchard, Donald Harrison, Jean Toussaint, Mulgrew Miller and Lonnie Plaxico are on board with Blakey. In this clip (again all I have) they are playing “Duck Soup” (I guess named for it’s composer, Donald “Duck” Harrison”, falsely titled “Duck Soup” by the TV station) and Benny Golson’s “Blues March”. Note that “Duck Soup” has already been put up on youtube by someone, but “Blues March” has not.

The next clip features the Jazz Messengers (Art Blakey (dr), Terence Blanchard (tp), Donald Harrison (as), Jean Toussaint (ts), Mulgrew Miller (p), Lonnie Plexico (b)) at the jazz club Subway in Cologne, probably on February 1, 1985. Again I could not identify the tune:

In fact there is a more than an hour of the Jazz Messengers at the Subway. I found a better version than the one I had shown here previously. Here it is:

Jumping forward four years, Art Blakey and the Jazz Messengers  appeared at the Jazz Festival Bern in April or early May 1989 .There the band consisted of Blakey, Brian Lynch, Donald Harrison, Terence Tony, Javon Jackson, Frank Lacy, Benny Green, and Essiet Essiet. I found over an hour of footage from this concert, for technical reasons I had to split this into three parts.

Part 1 features Wayne Shorter’s “Hammer Head” followed by J. J. Johnson’s “Lament”:

Part 2 features Walter Davis’ “Jodi” followed by an interview with Blakey (with italian voice-over) and Freddie Hubbard’s composition “The Core”.

For the last part of the show (or this broadcast?) the band was joined by veteran Messenger Bennie Golson for a rendition of Golson’s “Blues March”.

 And finally something rare and special: At the Estival Jazz Lugano in summer 1989 (exact date unknown) Art Blakey – who otherwise did not play there – was presented with an honory award for his life achievements. On that occasion he agreed to improvise a little with Guido Parini and Oliviero Giovannoni, two fine drummers from the italian speaking part of Switzerland. Blakey has to be pushed into this somewhat by the announcer, I have left this out to protect the living …

Enjoy!

Eddie Harris in Lugano 1989

Posted in clips, Eddie Harris, jazz, Uncategorized with tags , , , , , on December 30, 2015 by crownpropeller

eddie_harrisEddie Harris in Lugano, Switzerland, 1989

The legendary tenor saxophonist, trumpeter, pianist, singer and pioneer-for-a-lot-of-things Eddie Harris is one musician I never saw live, although he sometimes appeared in places not really to far from me. But I was a free jazz only guy at that time and arrogant at that.

Happily in my late friend Otto Flückiger’s collection  I found TV footage from Harris’ appearance at the Estival Jazz Lugano in 1989, where he was accompagnied by Ronald Muldrow on guitar, bassist Ray Peterson and drummer Norman Fearrington.

So as my present for the end of the year to you all here is the Eddie Harris quartet in Lugano 1989 in two parts.

 

Enjoy!

Impressions of the ICP Orchestra, Zürich 2015

Posted in Free Jazz, Han Bennink, jazz, Photographs with tags , , , , , , , , , , , , , , , on October 18, 2015 by crownpropeller

DSC_4339(Click to enlarge) The ICP Orchestra at Rote Fabrik, Zurich,
Switzerland, October 17, 2015. Mary Oliver, Tristan
Honsinger, Ernst Glerum, Han Beninnk, Michael Moore,
Ab Baars, Wolter Wierbos (hidden), Tobias Delius (hidden) and
Thomas Heberer.  Photo by Armin Büttner

The ICP Orchestra, that famous european jazz institution founded in 1967 by drummer Han Bennink and pianist Misha Mengelberg, played in Zurich yesterday. Since I have a bad cold, I was not in the mood to fumble around with a video cam, but I took quite a few photos which turned out so nice, that I thought I’d present them here.

In it’s current incarnation – Misha Mengelberg is not able to appear on stage anymore – the ICP Orchestra consists of Han Bennink, trumpeter Thomas Heberer, trombonist Wolter Wierbos, Michael Moore (as, cl), Ab Baars (ts, cl), Tobias Delius (ts, cl), Mary Oliver (violin, viola), cellist Tristan Honsinger and bassist Ernst Glerum. The piano chair was manned by Misha Mengelbergs good friend Guss Janssen. They played a lot of  Mengelbergs compositions as well as his arrangements of pieces by Monk, Herbie Nichols and Duke Ellington, as well as pieces by band members. To make it short, it was a great evening and I was glad I went – I even had the feeling my cold had gotten better afterwards.

So here are some photos (you can always click to enlarge, they are quite big!):

DSC_4308Han Bennink at Rote Fabrik. Photo by Armin Büttner

DSC_4321Han Bennink, Michael Moore, Ab Baars, Tobias Delius at
Rote Fabrik. Photo by Armin Büttner

DSC_4301Mary Oliver, Tristan Honsinger, Ernst Glerum at Rote Fabrik.
Photo by Armin Büttner

DSC_4324Michael Moore and Ab Baars at Rote Fabrik.
Photo by Armin Büttner

DSC_4348Mary Oliver at Rote Fabrik. Photo by Armin Büttner

After a twenty minute intermission the second part of the evening started with about twenty minutes with a special quartet. ICP-members Bennink, Glerum and Moore were joined by Zurich based pianist Irène Schweizer (they know each other for years and years, swiss label Intakt has just released a new Cd of Schweizer/Bennink duets).

Here are some photos from that part of the evening:

DSC_4373Irène Schweizer, Ernst Glerum, Han Bennink and Michael
Moore at Rote Fabrik. Photo by Armin Büttner

DSC_4386Han Bennink and Michael
Moore at Rote Fabrik. Photo by Armin Büttner

DSC_4384Han Bennink at Rote Fabrik. Photo by Armin Büttner

DSC_4407Irène Schweizer at Rote Fabrik. Photo by Armin Büttner

Then it was back to the ICP Orchestra again:

DSC_4428Michael Moore, Ab Baars, Tobias Delius, Wolter Wierbos and
Thomas Heberer at Rote Fabrik. Photo by Armin Büttner

DSC_4430Ernst Glerum, Mary Oliver, Han Bennink and Michael Moore
at Rote Fabrik. Photo by Armin Büttner

DSC_4453“And without further ado I present to you: absolutely nothing!”:
Tristan Honsinger at Rote Fabrik. Photo by Armin Büttner

DSC_4467Going down low: Tristan Honsinger and Wolter Wierbos at
Rote Fabrik. Photo by Armin Büttner

DSC_4471And up: Tristan Honsinger in the air at Rote Fabrik.
Photo by Armin Büttner

DSC_4476Guss Janssen and Mary Oliver at Rote Fabrik.
Photo by Armin Büttner

DSC_4485Han Bennink and Ab Baars at Rote Fabrik.
Photo by Armin Büttner

DSC_4490Han Bennink, Ab Baars, Michael Moore and Tobias Delius
at Rote Fabrik. Photo by Armin Büttner

DSC_4502A quite hum for Misha Mengelberg: Han Bennink at Rote
Fabrik, Zurich, October 17, 2015.

Enjoy!

Nestor Records (early John Coltrane musical content!)

Posted in 78 rpm, Discography, John Coltrane, R'n'B with tags , , , , , , , , , , , , , , , , , , on October 8, 2015 by crownpropeller

nestor6aThis 1953 record from Philadelphia contains solos
by John Coltrane. From the Crown Propeller Collection

The John Coltrane Reference by Lewis Porter, Chris DeVito, David Wild, Yasuhiro Fujioka, Wolf Schmaler – a book you should own if you are a Coltrane fanatic – lists a probably 1953 session by Philadelphia drummer James “Coatesville” Harris that features Coltrane, done for the small Philadelphia label Nestor.

In their notes to that session the authors write: “This 78-rpm record was discovered by Swiss reserachers Otto Flückiger and Armin Büttner. (…) Coltrane is identified by aural evidence only, but we consider the evidence overwhelming. He plays throughout and solos on both tracks.”

What they write is not quite the truth though. It was not Otto Flückiger and me who made this discovery. Instead Otto and his friend the swiss jazz researcher and alto saxophonist Mario Schneeberger had thought that the saxophonist on Nestor 06 sounded very much like John Coltrane back in the 1960s when Otto won this record for a dollar or two in an auction. When Otto played the two tracks for me in the early 1990s, I was convinced that it’s Coltrane playing the tenor here from the first notes emanating from that horn, leading me to inform the Coltrane experts. But the claim for the discovery must go to Otto and Mario.

There is really not much known about the Nestor label which was owned by Herman “Piney” Gillespie, who at different points in time also ran the labels G&M, Piney and Teenage. Gillespie had his home base in Philadelphia, but at least Nestor moved to New York later.

The second Edition of Bob McGrath’s The R&B Indies (2006) lists nine issues on Nestor. And although I have been running a permanent ebay search for “Nestor 78rpm” since 2003, I only ever came up with one Nestor record at all (Nestor 10, incidentally not listed in the The R&B Indies).

In the hope of acquiring more information about the Nestor label (and maybe stumbling over even more Coltrane, not that I do have much hope), I decided to gather all the information that I have here, in the hope of delivering a somewhat complete list of its issues. Many thanks to Bob McGrath whose four volume work The R&B Indies is responsible for about 92 percent of this listing. Some composer credits were taken from 45rpm labels appearing on the internet. There is some music inside of this listing, some youtube clips – yes, and some Coltrane to listen to in an atomic age tenor solo!

———————————-

Nestor Records – a draft

NESTOR 1 to NESTOR 5: No information

NESTOR 6
COATESVILLE HARRIS ORCH. Vocal by Rodney Smith
Coatesville Harris (dr, ldr), Rodney Smith (voc), John Coltrane (ts), unidentified p, g, b, d

Philadelphia, probably 1953

JG-06A     Ham Hocks And Hominy (H. Gillespie)
JG-06B     Strange Things All The Range (H. Gillespie)

(Information from Fancourt – McGrath: “The Blues Discography 1943–1970” and a copy of Nestor 6 in the Crown Propeller Collection, this record is not mentioned in the 2006 edition of The R&B Indies). Only 78 rpm copies are known.

And here is Coatesville Harris’ band with singer Rodney Smith doing “Strange Things All The Rage”. Watch out for John Coltrane!

NESTOR 7 to NESTOR 9: No information

NESTOR 10
THE STAN MOORE QUARTET

JG-10A     The Little Black Sheep (Moore)
JG-10B     My Dream (Moore)

(Not listed in The R&B Indies, information from a 78rpm copy in the Crown Propeller Collection), Here is the music (warning: no jazz or r’n’b content!) I cannot find the 78rpm right now, so I might add a picture later.

The Little Black Sheep:

My Dream

NESTOR 11: No information

NESTOR 12
MICHELLE & HIS ORGAN (v. Jimmy Milner)

N-12A     Love Is Such A Funny Thing
N-12B     Now That You’re Gone

(Information from “The R&B Indies”)

NESTOR 13
MAE PARRISH
Mae Parrish with unidentified tp, tb, ts, g, p, b, d, vocal ensemble on “Function …”

Philadelphia, probably late 1955 or early 1956

N-13A     Function On Broadway
N-13B     Let’s Make Love Tonight

Information from The R&B Indies, and Fancourt – McGrath: The Blues Discography 1943–1970. Fancourt/McGrath give 1953/1954 as the recording date, but this was probably later. The  New York Age of  February 11, 1956 noted: “Mae Parrish, sensational blues singer, getting good response from her recent recording of “Function On Broadway” on Nester (sic!) label.”

Here is “Function On Broadway”:

NESTOR 14
FREDDIE CLARK
Freddie Clark (voc), unknown tp, as, p, b, d

N-14A     Begging Papa Blues
N-13B     Got The Blues

Information from The R&B Indies and Fancourt – McGrath: The Blues Discography 1943–1970 and a 78rpm copy of Nestor 14 in the Otto Flückiger Collection. When I go down to the archive again, I will take  pictures of the label. There were 45rpm copies as well. Here’s one from Youtube user stompingsevens:

And if you’d like to hear the flip side too, here’s “Got The Blues” from Otto’s collection.

NESTOR 15
MONTEREYS (Dean Barlow)

N-15A     Someone Like You (White-Epps)
N-15B     Train Whistle Blues

Basic information from The R&B Indies. Composer credits from 45rpm label shots found on the internet. Nestor 15 was also released as Teenage 1001.

NESTOR 16
TREBELAIRES

N-16A     There Goes That Train (R. McGill)
N-16B     I Gotta (B. Smith)

Basic information from The R&B Indies. Composer credits from 78 and 45rpm label shots  found on the internet.

NESTOR 17
DICKY HOWARD’S QUINTETTE
Ray Edwards (voc), Dicky Howard, rest unknown

N-17A     Rolling Down The Highway
N-17B     Going Down The River (H. Gillespie – R. Jefferson)

Information from The R&B Indies and Classic Urban Harmony website.

NESTOR 18
MATTHEW CHILDS & HIS CHILLUN

N-18X45  119    Rosa Lee (M. Childs)
N-18X45 120   No Love (M. Childs)

Basic information from The R&B Indies. Composer credits from  45rpm label shots  found on the internet. Here is a vid of “Rosa Lee” from youtube user jdkays:

NESTOR 19 to NESTOR 25: No information

NESTOR 26
BABE BLANCHARD

N-26A     One More Time (Ollie Blanchard)
N-26B     Sugarfoot Sam

Information from The R&B Indies, composer credit for N-26A from a copy on ebay. This is the first known Nestor with a N.Y.C. adress on the label.

NESTOR 27

THE FOUR FELLOWS

N-27A     Remember (G. Payne)
N-17B     That Kiss You Gave Me (G. Payne)

Information from The R&B Indies and label shots from the internet.

NESTOR (number unknown)

LLOYD “FAT MAN” SMITH

unknown titles

Information about singer Lloyd “Fat Man” Smith recording for Nestor can be found in the Billboard of April 13, 1957 (dates in brackets added by me):

“Lloyd, the ‘Fat Man’, r.&b. singer and ork leader who has recorded on Peacock (1951/52), Gotham (1950), Nestor (??), Checker (??) and Epic (really Okeh, 1956), has been signed as a disk jockey on WHAT, Philadelphia.”

Some information about Lloyd “Fat Man” Smith can be found here.

——————————————–

If you have information about the unlisted Nestor records or can provide label scans or audio files of records from the list, please contact me via a comment.

Marshall Allen Magic Science Quartet : Oedipus/Edipo 2015

Posted in clips, Henry Grimes, jazz, Marshall Allen with tags , , , , , , , , , on October 7, 2015 by crownpropeller

allen_grimesHenry Grimes and Marshall Allen at Casa Torre
in Poschiavo, Switzerland on September 19, 2015.
Photo by Armin Büttner

When one of my co-workers told me that Marshall Allen and Henry Grimes along with drummer Avreeyl Ra and Cornelia Müller would be accompagnying a screening of Cornelia Müller’s silent movie “Oedipus/Edipo” at Casa Torre in Poschiavo, Switzerland it was clear I had to go. Poschiavo is a five hour train ride from here – but what a beautiful voyage.

Cornelia “KA” Müller’s movie “Oedipus/Edipo” is a reinterpretation of the ancient greek myth, filmed in the surroundings of colorful Poschiavo Valley featuring Butoh dancer Yoshihiro Shimomura in nearly all roles. You can read all about the movie here. And here is the official trailer:

I really liked the movie, especially when Yoshihiro Shimomura did the Sphinx . But in a way it seemed like drummer Avreeyl Ra  and Cornelia Müller herself playing piano where the only ones reacting to what happened on screen, whereas Marshall Allen and Henry Grimes were faced towards the audience. Somehow this left the music rather directionless. Here is a small excerpt from the Casa Torre screening (which of course does neither the movie or the musicians right):

After the movie was over, people had applauded and the lights had gone up again, the quartet started an encore of which I managed to capture a nice part on video with Marshall playing his EVI with Henry Grimes and Avreeyl Ra swinging behind him:

During the encore Allen also grabbed the alto saxophone to send the room off into space – something he had not done during the screening where he he had played EVI, Casio and Kora exclusively. I did not film his solo but captured the audio. Here it is with some pictures of the concert mixed with some shots of beautiful Poschiavo where the concert took place:

 

It was good to see that Marshall is still going strong (he’s 91 now!) and to hear that Henry Grimes plays so well. After the concert I bought Henry’s CD “The Tone Of Wonder” recorded in Poschiavo when he was artist in residence there in 2013:

2728821Here’s a nice review of it.

And of course after all was over girlfriend made a “snapshot with your superstar” photo of Marshall and me.

DSC_3502Clearly the taller person here needs a shave.

Two more shots  from the concert:

allen_grimes2 Henry Grimes and Marshall Allen at Casa Torre
in Poschiavo, Switzerland on September 19, 2015.
Photo by Armin Büttner

allen_grimes3 Henry Grimes, Marshall Allen and Avreeyl Ra at Casa Torre
in Poschiavo, Switzerland on September 19, 2015.
Photo by Armin Büttner

Enjoy!

P.S.: There are still copies of the LP available, that my friend Hubi and me recorded with Marshall Allen and cellist Kash Killion in 2012 (see here and here).