Still available: Marshall Allen / Kash Killion: “Two Stars In The Universe”

Posted in 33 rpm, Free Jazz, jazz, Marshall Allen, Sun Ra with tags , , , , , , , , , , , , on January 17, 2015 by crownpropeller

cover-gold

Funny to see that some copies of the LP my friend Hubi and me produced with arkestral legend Marshall Allen and cellist / sarangi player Kash Killion are already selling for around 100 $. Funny because you can still order them direct from us for much less, as a few copies of this limited to 250 pieces LP are still available.

If you never heard about that LP, here is our sweet little promo clip again:

If you want to know more about this record check out my old blog entry here. Or have a look here.

There are bad news though: Because the swiss frank is no longer bound to the euro, we had to raise the prices partly. In Switzerland it’s still 35 Franks. For the rest of the world it’s either 35 Euro or 40 USD. Beware that swiss postal rates are very high, depending on where you are (20 Euro for europe, 36 $ for the rest of the world).

If you’d like to obtain a copy of this – very beautiful we think – record, contact me by writing a comment (which will not be published).

Marl Young: discography and solography by Mario Schneeberger

Posted in 78 rpm, Discography, jazz, Marl Young with tags , , , , on January 17, 2015 by crownpropeller


jockey

Sunbeam 103 from the Crown Propeller collection.
Check Gene Ammon’s solo!

Marl Young (1917–2009), “the only man who fired Charlie Parker” (Young), was a very interesting figure. He was a pianist, arranger, composer and for some time in the 1940s owned a small record company in Chicago. If you heard his name before that might be because Young was also pianist and arranger on three sessions by T-Bone Walker.

Swiss alto saxophonist and jazz researcher Mario Schneeberger, has been working on a biography / discography / solography  of Young, which is now published on the jazzdocumentation website. Click here to go directly to Mario’s pages on Marl Young or click here to see all of Mario’s research pages.

There are a few things that Mario could not obtain (marked thusly in the discography), if you have any of those, please contact Mario (his adress can be found on top of the Marl Young pages) or contact me via a comment and I will pass your information on to Mario.

If you would like to hear a bit of what this is about, above and below you find two very rare recordings Young did for his own record company Sunbeam. One featuring Little Miss Cornshucks, the other featuring tenor sax legend Gene Ammons and female impersonator Petite Swanson alias Alphonso Horsley.

foroldtimessake

Sunbeam 105 from the
Crown Propeller collection.

Enjoy!

Blues Queens on TV: Alberta Hunter, Big Mama Thornton, Sippie Wallace, Jeannie Cheatham

Posted in Blues, clips with tags , , , , on January 1, 2015 by crownpropeller

The new year did not have a chance yet to proove whether it is going to be good or bad, but I already have the blues. Because while going through the old VHS cassettes of my friend the late jazz researcher Otto Flückiger, I found two wonderful TV documentaries about female blues legends, made in the 1980s. So I have decided to put them up here – although the picture quality is not too good.

 

The first one is “My Castle’s Rocking”, Stuart A. Goldman‘s beautiful portrait of Alberta Hunter (1895–1984), made around the time she had her comeback at age 82.

The second one is the award-winning PBS feature “Three Generations Of The Blues”, which, made in the early 1980s shows a concert by Sippie Wallace (1898–1986), Big Mama Thornton (1926–1984) and Jeannie Chatham (1937–).

 A HAPPY NEW YEAR EVERYBODY!

 

Enjoy!

Ladies and Gentleman: Etta James!!! (Lugano 1991)

Posted in clips, Etta James, R'n'B with tags , , , , on December 29, 2014 by crownpropeller

Etta James at Estival Jazz Lugano, July 5, 1991. Were you there?

Enjoy!

Percy France Sextet at the West End, 1980

Posted in Bo Diddley, documents, Ed "Tiger" Lewis, Percy France, West End with tags , , , , , , , , , , on December 29, 2014 by crownpropeller

UPDATE: The trumpeter on the photographs is not Ed “Tiger” Lewis, but probably Francis Williams (thanks, Peter Vacher)! So photos and music are not from the same session. This blog post has been entirely rewritten.

percy_france1

Percy France at the West End, N.Y.C., Spring 1980.
Photo by Otto Flückiger

As you may remember, in this post I suspected that Doc Cheatham might have been the trumpeter with the Percy France Sextet at the West End in NYC on May 23 and 24 1980 (France played in Cheatham’s group on May 21 and 22). I thought so because it looks like Phil Schaap who was doing the programmation at the West End employed a rather small circle of veterans.

But I found some  audio from either May 23 or 24. My friend the late Otto Flückiger taped enough music to fill two CDs of which I just found one. So on these two dates the Percy France Sextet consisted of France (ts), Ed “Tiger” Lewis (tp), Chris Flory (eg), John Ore (b), Samie “Sticks” Evans (dr). On some tracks they were joined by pianist Sonny Donaldson.

The CD I found carries the subtitle “Vol. 2″ I am sure to find volume 1 one day. The band’s repertoire unfortunately is a little restricted, parts of the set list read like a tourist’s requests dream list.

– I’ll Remember April

– St. Thomas

– Tenderly

– Night Train

– Red Top

– C Jam Blues

– Honky Tonk

So they must have played “Satin Doll” in the first set right?

In fact there is no reason to be cynical. It’s not easy at all to get something fresh sounding out of those old horses after playing them each night for years. And these men succeed as recorded evidence shows.

So for your pleasure (sorry, sound quality is not really that good), here is the Percy France Sextet playing “Tenderly” at the West End, May 23 or 24, 1980.

 

 

I also found photos of another gig by a Percy France group at the West End, which also must be from spring 1980. Peter Vacher thinks the trumpeter is Francis Williams:

tiger_lewisProbably Francis Williams at the West End,
N.Y.C., spring 1980. Who is the drummer
visible on the right? Photo by Otto Flückiger

percy_france2Percy France at the West End, N.Y.C., Spring 1980.
Photo by Otto Flückiger

Then there is a nice a shot of the bassist. Is this John Ore?possibly_john_oreUnidentified bassist at the West End, N.Y.C., Spring 1980.
Photo by Otto Flückiger

… as well as a nice one of  prob. Francis Williams  and Percy France.

tiger_percyFrancis Williams (?) and Percy France
at the West End, N.Y.C.,
Spring 1980.
Photo by Otto Flückiger

 

Enjoy!

Julia Lee on rare Foremost 105

Posted in 45 rpm, Big Bob Dougherty with tags , , , , , , , , on December 24, 2014 by crownpropeller

As long time readers of this blog know, I am interested in Leavenworth KS saxophonist Big Bob Dougherty. So about two years ago I acquired Bear Family’s Julia Lee 5cd box “Kansas City Star”, because I knew that Dougherty played on Lee’s last session for Capitol Records and on her later recordings done for small Kansas City labels Damon and Foremost.

Bear Family’s 5-CD box was supposed to contain all of Lee’s recordings, but unfortunately, as the liner notes say “despite a 2-year search we have not been able to find a copy of Foremost 105″.

Foremost 105 saturday

And  – I can happily add – it took me another two years to finally get a copy (see above) – though it is rather rotten, as you can hear:

 

Note that this is a promotion copy, but there are regular copies as well. I noticed one on ebay two weeks before I spotted my DJ copy.

Both “Blues Discography” as well as the discography to the booklet of the Bear Family Julia Lee box set have “probably same” personnel for the four tracks recorded for Foremost as for Julia Lee’s 1954/1955 Damon session. This would be Big Bob Dougherty, ts; possibly a second unidentified ts; Ted Williams; g; Howard “Jack” Lewis (b); Richard “Corky” Jackson; dms. Bear Family also notes Gene Carter on alto saxophone for the Damon session, but there is no alto to be heard. Instead there may be a second ts.
Now on the Foremost session (or sessions, there may have been two) there are definitely two tenor saxes to be heard on all  tracks. If Dougherty was one of the saxes he probably brought his band along. But I find it hard to say whether Dougherty is there or not and the coarseness of the scratched record does not make it much easier.

Foremost 104 was announced in the Billboard of march 3, 1957.  The standard discographies give the date as 1957. Note though that the foundation of Foremost records was announced in Billboard of August, 18 1956. There Julia Lee is mentioned in the “talent line-up”.  On September 22, 1956, two fifths of a Billboard page  are covered by a Foremost ad announcing among others a new release by Julia Lee: “’She’s  Shoutin’ Those Blues Again” – Her Newest Comin’ Soon”. From then it took half a year until Billboard announced the release of Foremost 104 in the march 23 issue of 1957. Foremost 105 was not mentioned in the trade press, nor was there an ad for it.

The composer of “Saturday Night” (matrix no. FB-3123) is given as one “Rita Swift”. This may not be so, since Swift is also given as the composer for Richard M. Jones’ famous “Trouble In Mind” (matrix no. FB-3122) on the other side of Foremost 105.

Foremost 105 TRouble

Of course you are probaby not here for all that discographical mumbo jumbo but for some music. So here – exclusively for readers of my blog – is my not-on-youtube christmas special:

Julia Lee doing “Trouble In Mind”

Enjoy!

Eddie Cleanhead Vinson and Friends (1974 and 1978)

Posted in clips, Cootie Williams, Duke Ellington, jazz with tags , , , , , , , , , , , , , , on December 22, 2014 by crownpropeller

Vocalist and alto saxophonist Eddie “Cleanhead” Vinson (1917–1988) had his breakthrough in 1941 when he joined Cootie William’s band as vocalist. In 1945 he split from Williams and formed his own band. Vinson had hits on Mercury as well as on King records in the late 1940s and the early 1950s. Then Vinson somewhat left the spotlight  for a while before becoming a welcome attraction on the european jazz festival circuit from the early seventies on.

I found some footage from this later period of Vinson’s career on old VHS cassettes from the Otto Flückiger collection and thought you might enjoy them.

So here from the 1974 Montreux Jazz Festival come slightly more than 25 minutes of Cleanhead with  Hal Singer (ts), Jay McShann (p), Jo Wright (g), Jerome Rimson (b), Peter Van Hooke (dr). They are playing:

“Just A Dream”, “Home Boy”, “Laura”, “Hold It Right There” and “Person To Person”.

The second clip I found has 32 minutes from an all star gathering at Grand Parade Du Jazz in Nice from July 8 and July 16, 1978. On stage are Eddie Cleanhead Vinson (as, voc); Hank Crawford (as); David Newman (ts, fl); Jimmy Rowles (p), George Wein (p); Milt Hinton (b); Alan Dawson (dr).

They are playing:

“Tenor Madness” (thanks, Trane!), “Autumn Leaves”, “Cleanhead Blues”,  and a further unidentified tune (maybe someone knows it’s title?).

Enjoy!

Follow

Get every new post delivered to your Inbox.

Join 138 other followers